Artists, Index, KiptonART

Artists, Index, KiptonART
 
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Golba, Bill

For more information about this artist, please email us at info@kiptonart.com or call 212-486-2608.

Awards
2011 15th Members Exhibition, Art Dialogue Gallery, Kate Kopersk-Juror (Director of the Castellani Art Museum of Niagara University) 2nd Place Award (Local)
2008 17th Annual Regional Artists Exhibition, Art Dialogue Art Gallery, Dougalas Shultz-Juror ( Director-Albright Knox Art Gallery, retired) 3rd Place Award (Local)
2006 National Collage Exhibition, Impact Artists Gallery, Buffalo, NY, Russell Ram-Juror (Artist and Educator), Second Place Award (Local)
2006 Members Exhibition 2006, Art Dialogue Gallery, Buffalo, NY, Nancy Weekly-Juror (Head of Collections for the Burchfield- Penny Art Center) (Local)
Eric Jackson-Forsberg-Juror (Associate Curator for the Martin House Restoration Corporation) First Place Award (Local)
1999 31st Annual Niagara Frontier Regional Art Exhibition,Kenan Center, Lockport, NY Douglas Drieshspoon-Juror (Curator, Albright Knox Art Gallery) Best of Show (Local)
1999 The Western New York Artists Group 8th Annual Regional Artists Exhibition, Art Dialogue Gallery, Buffalo, NY, Douglas Schultz-Juror (Director, Albright Knox Art Gallery) Honorable Mention (Local)
1989 Art at the Site, Theodore Roosevelt Inaugural Site, Buffalo, NY Douglas Schultz-Juror (Director, Albright Knox Art Gallery) Honorable Mention (Local)

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City Gates (Birddog)
Mixed Media




I create paintings that evolve in stages thru methodology and technique. Oil on paper being the primary vehicle of the process. The versatility of paper enables improvisation, from the priming of the support, to the possibilities of collage. Paint is added and subtracted by alternating tools including brush, drywall knives and rags. I often use frottage by placing the paper I’m working on over the worn floor boards of my studio and other substrates of varying textures, producing unexpected results and adding to the experimental nature of my work. Eventually the accumulation of these visual events are left to dry and the process shifts from uncharted spontaneity to that of a more controlled reflection. Collage, in some instances becomes an evolver of those pieces I find lacking for any reason. Parts, shapes or images that I find interesting are cut out of these demoted or dormant skins. The accumulated fragments are recombined, creating further tension or release from the act of painting. Throughout the process I’m constantly writing down words and phrases that provide clues to titles, series, and a developing narrative.

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Every Square Inch of Yard, Conquistador


28 x 22 in.


Mixed Media



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Every Square Inch of Yard,Conquistador l


28 x 22 in.


Mixed Media



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Teeter Totter (!st Degree)


28 x 22 in.


Mixed Media



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Teeter Totter (2nd Degree)


28 x 22 in.


Mixed Media



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Teeter Totter (3rd Degree)


28 x 22 in.


Mixed Media



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Teeter Totter (4th Degree)


28 x 22 in.


Mixed Media



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Teeter Totter (5th Degree)


28 x 22 in.


Mixed Media



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Teeter Totter (6th Degree)


28 x 22 in.


Mixed Media



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Ground Clutter (Triple Point)


28 x 22 in.


Mixed Media



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Ground Clutter (Occluded Front)


28 x 22 in.


Mixed Media



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Ground Clutter (Blocking High)


28 x 22 in.



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Real Clear Lime


28 x 22 in.


Mixed Media



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Real Clear Red


28 x 22 in.


Mixed Media



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Real Clear Violet


28 x 22 in.


Mixed Media



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Real Clear Turquoise


28 x 22 in.


Mixed Media



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Real Clear Gray


28 x 22 in.


Mixed Media



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Real Clear Green


28 x 22 in.


Mixed Media



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Post Percentiles (Camouflage)


28 x 22 in.


Mixed Media



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Post Percentiles (Something Fishy)


28 x 22 in.


Mixed Media



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Post Percentiles (Face Value)


28 x 22 in.


Mixed Media



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Post Percentiles (Soldier for Fortunes)


28 x 22 in.


Mixed Media



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Post Percentiles (The New Chapeau)


28 x 22 in.


Mixed Media



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City Gates (Gathering Line)


28 x 22 in.


Mixed Media



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City gates (Propping Agent)


28 x 22 in.


Mixed Media



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City Gates (Birddog)


28 x 22 in.


Mixed Media



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City gates (Injector Head)


28 x 22 in.


Mixed Media



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City gates (Tour Pusher)


28 x 22 in.


Mixed Media



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City Gates (Taper Tap)


28 x 22 in.


Mixed Media



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City Gates (Shale Shaker)


28 x 22 in.


Mixed Media



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City Gates (Impression Block)


28 x 22 in.


Mixed Media



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Bookmarks ( Who Was That Conversation)


28 x 22 in.


Mixed Media



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Transcendental #’s - Centroid


22 x 28 in.


Mixed Media



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Transcendental #’s - Floor Function


28 x 22 in.


Mixed Media



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Transcendental #’s - Harmonic Mean


28 x 22 in.


Mixed Media



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Transcendental #’s - Local Behavior


28 x 22 in.


Mixed Media



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Transcendental #’s - Null Set


28 x 22 in.


Mixed Media



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Transcendental #'s - Radicand


28 x 22 in.


Mixed Media



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Transcendental #’s - Open Interval


28 x 22 in.


Mixed Media



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Transcendental #'s - Scatter plot


28 x 22 in.


Mixed Media



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Transcendental #'s - Shell Method


28 x 22 in.


Mixed Media



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Transcendental #'s - Solid of Revolution


28 x 22 in.


Mixed Media



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Essential Terrestrials(Post Water Ocean)


28 x 22 in.


Mixed Media



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Essential Terrestrials (Wild Night)


28 x 22 in.


Mixed Media



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E.T (Reconnecting the Breaks)


28 x 22 in.


Mixed Media



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Essential Terrestrials (NeighborHood)


28 x 22 in.


Mixed Media



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Essential Terrestrials (Wild Light)


28 x 22 in.


Mixed Media



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E.T."s (As a Matter of Course)


28 x 22 in.


Mixed Media



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Essential Terrestrials (Piled on Duck)


22 x 28 in.


Mixed Media



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Essential Terrestrials (Snooze)


28 x 22 in.


Mixed Media



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Essential Terrestrials (Anything At All)


22 x 28 in.


Mixed Media


   
       

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